September 15, 2013 § Leave a comment
Miller has always had an interest in the play of light on objects, and the strong illusion of three-dimensions on two-dimensional surfaces. Highly resolved paintings encourage the viewer to consider the subtleties of the images, and slow down and take the time needed to make associations.
Her recent work uses miniature toys as actors and backyard gardens as stages, creating enigmatic scenarios for the oil painting series, Garden Stories. These paintings combine a long-standing interest in dioramas since her childhood in Chicago, with preoccupations about current events, especially environmental and geo-political tensions.
Past series include portraits of chairs, and, daily life in China. Chairs were paired with historical and modern artists who seemingly share or reinforce each other’s personality and even mood. Flowers are included to provide a visual bridge between the subject and representation of a well-known work of art. With a nod to early daguerreotype portraits of family members, the backgrounds are kept plain, and the subject looks directly at the viewer. The gouache paintings on paper were inspired by Miller’s experiences and various travels to People’s Republic of China, where, as Visiting Skidmore College Professor, she taught Western-Style Oil Painting at Qufu Teacher’s University. Miller also served as guest curator of “Beijing Now: Oil Paintings by Twelve Chinese Artists” at First Street Gallery, and faculty curator for “Brushing the Present: Contemporary Academy Painting from China” at the Tang Teaching Museum.
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