February 26, 2014 § 1 Comment
“Far from holding up a simple mirror of nature that is true or false, maps redescribe the world—like any other document—in terms of relations of power and of cultural practices, preferences, and priorities.”
J.B. Harley, The New Nature of Maps
I was born in Smithtown, New York, in 1982, and was the seventh of eight children. At the age of three, my family moved to a small town in upstate New York, where I lived until I was 14. Then we moved again, to Delmar, a suburb of Albany, New York. I have been moving ever since.
Given my nomadic background, it’s almost natural that I’ve come to express myself—rather look to shape my identity and better understand myself—in maps. While my early landscapes and figurative works were influenced by the rural environment I grew up in, as well as the feelings of isolation I felt as a child with a learning disability, the representational abstracts that make up my current Cartography Series are not so much a study of emotion, as my earliest works were, but more of a logical and experimental exploration of where I’ve been, where I am now, and where I hope to be tomorrow.
My goal with the Cartography paintings is to, as J.B. Harley writes, “redescribe the world,” or at least the small world of Erik Laffer. And just as there is a language of mapmaking, there is style and body of symbols in my paintings that define the landscape of each work and identify my struggle to understand self, family, home, and culture: boats, clocks, buildings, bridges, anatomy, arrows, and, among many others, lines, color, and texture.
There’s a popular expression: “you’ll learn more about a road by traveling it than by consulting all the maps in the world.” While I recognize the truth in this, I also believe there is great value in history and charting where we have been and where we are going. And this is what my Cartography Series represents. After all, some roads—racism, sexism, classism, poverty, and all other forms of oppression and discrimination—are better to understand than experience.
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December 4, 2013 § Leave a comment
Currently residing in Saratoga Springs, Eichel graduated from Pratt Institute with a degree in graphic Arts, becoming a Madison Avenue art director for ten years.For seventeen more years, he worked in advertising as a “creative director”.
Finally dropping out of advertising, he spent five years doing pencil sketches of local scenes. Prints of those sketches wound up in more than 350 galleries and frame shops across the country. Encouraged by their success, Eichel entered the University of Tennessee fine arts program. While a Tennessee resident, he was chosen as Tennessee Artist of the Month.
Eichel paints on site. Many have seen him standing on a street corner painting a local scene that interests him and he actually enjoys answering questions and chatting with passers by. His work has been featured in many area galleries.
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September 25, 2013 § Leave a comment
Regionally her sculpture has been exhibited at the Tang Teaching Museum and Art Gallery and the Schick Gallery at Skidmore College, the Art Gallery at the State University of New York at Albany, the Albany Institute of History and Art, Adirondack Community College, and the Southern Vermont Arts Center as well as in many private galleries. She collaborated with two other artists on the artwork for the Saratoga Train Station. Her recent work, which includes both sculpture and engraved paintings, was shown at Sea Fair in Miami, Art Palm Beach, and Art Santa Fe.
Her work is included in private and corporate collections in the United States, Canada, and Europe.
She owns a warehouse/studio called “9 Pine Alley” in Saratoga Springs that is open by appointment.